{"id":621,"date":"2013-12-03T09:58:22","date_gmt":"2013-12-03T09:58:22","guid":{"rendered":"http:\/\/hamazkayin.com\/?page_id=621"},"modified":"2019-06-09T21:13:48","modified_gmt":"2019-06-09T21:13:48","slug":"plays","status":"publish","type":"page","link":"https:\/\/hamazkayin.com\/en\/kasbar-ipegian-theater-company\/plays\/","title":{"rendered":"Plays"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

Year<\/strong><\/p>\n<\/td>\n

\n

Play<\/strong><\/p>\n<\/td>\n

\n

Author<\/strong><\/p>\n<\/td>\n

\n

Directed By<\/strong><\/p>\n<\/td>\n

\n

Place<\/strong><\/p>\n<\/td>\n<\/tr>\n

1942<\/td>\nIngadz Perti Ishkhanouhin (“The princess of fallen fortress”)<\/td>\nL. Shant<\/td>\nK. Ipegian<\/td>\nBeirut<\/td>\n<\/tr>\n
1943<\/td>\nMy Baby<\/td>\nHannigan<\/td>\nP. Papazian<\/td>\nBeirut<\/td>\n<\/tr>\n
1944<\/td>\nHin Asdvadzner (“Ancient gods”)<\/td>\nL. Shant<\/td>\nK. Ipegian<\/td>\nBeirut<\/td>\n<\/tr>\n
1945<\/td>\nGaysr (“Caesar”)<\/td>\nL. Shant<\/td>\nK. Ipegian<\/td>\nBeirut<\/td>\n<\/tr>\n
1946<\/td>\nProf. Klenow<\/td>\nK. Bramson<\/td>\nP. Papazian<\/td>\nBeirut<\/td>\n<\/tr>\n
1947<\/td>\nProf. Klenow<\/td>\nK. Bramson<\/td>\nJ. Sarkissian<\/td>\nBeirut<\/td>\n<\/tr>\n
1948<\/td>\nThe Inspector<\/td>\nN. V. Gogol<\/td>\nJ. Sarkissian<\/td>\nBeirut<\/td>\n<\/tr>\n
1949<\/td>\nDer strom<\/td>\nM. Halbe<\/td>\nK. Ipegian<\/td>\nBeirut<\/td>\n<\/tr>\n
1950<\/td>\nAn enemy of the people<\/td>\nH. Ibsen<\/td>\nK. Ipegian<\/td>\nBeirut<\/td>\n<\/tr>\n
1951<\/td>\nParki Vashkharounere<\/td>\nM. Paneol<\/td>\nJ. Sarkissian<\/td>\nBeirut
\nTripoli
\nDamascus
\nAleppo<\/td>\n<\/tr>\n
1952<\/td>\nHin Asdvadzner (“Ancient gods”)<\/td>\nL. Shant<\/td>\nJ. Sarkissian<\/td>\nBeirut<\/td>\n<\/tr>\n
1953<\/td>\nPlato’s victim (Jazz)<\/p>\n

Parki Vashkharounere<\/td>\n

M. Paneol\u00a0<\/p>\n

M. Paneol<\/td>\n

J. Sarkissian<\/p>\n

J. Sarkissian<\/td>\n

Beirut
\nCario
\nCario<\/td>\n<\/tr>\n
1954<\/td>\nIngadz Perti Ishkhanouhin (“The princess of fallen fortress”)<\/p>\n

\nThe Inspector<\/p>\n

\nKaghakavaroutyan Vnasnere<\/td>\n

L. Shant<\/p>\n

\nN. V. Gogol \u00a0\u00a0<\/p>\n

\nH.Baronian<\/td>\n

J. Sarkissian<\/p>\n

\u00a0
\nJ. Sarkissian\u00a0<\/p>\n

\u00a0\u00a0
\nJ. Sarkissian<\/td>\n

Beirut
\nCario
\nDamascus
\nCario
\nBeirut
\nDamascus
\nCario<\/td>\n<\/tr>\n
1955<\/td>\nShghtayvadze
\nKnok
\nDoun-Pessa
\nKaghakavaroutyan Vnasnere<\/td>\n		L. Shant
\nG. Romen
\nR. Ferdinand
\nH.Baronian<\/td>\n		J. Sarkissian
\nJ. Sarkissian
\nJ. Sarkissian
\nJ. Sarkissian<\/td>\n		Beirut
\nBeirut
\nBeirut
\nBeirut<\/td>\n<\/tr>\n
1956<\/td>\nShghtayvadze
\nDoun-Pessa<\/p>\n<\/td>\n		L. Shant
\nR. Ferdinand<\/p>\n<\/td>\n		J. Sarkissian
\nJ. Sarkissian<\/p>\n<\/td>\n		Beirut
\nTripoli
\nB. Hammoud<\/td>\n<\/tr>\n
1957<\/td>\nVosgi Akaghaghe (“The golden rooster”)<\/p>\n

Parki Vashkharounere\u00a0<\/p>\n

Doun-Pessa<\/td>\n

Raffi<\/p>\n

M. Paneol\u00a0<\/p>\n

R. Ferdinand \u00a0<\/td>\n

J. Sarkissian\u00a0<\/p>\n

J. Sarkissian\u00a0<\/p>\n

J. Sarkissian<\/td>\n

Beirut
\nBaghdad
\nBaghdad
\nBeirut
\nBaghdad<\/td>\n<\/tr>\n
1958<\/td>\nHouta Gochetsyal
\nDoun-Pessa<\/td>\n		C. A. Puget\u00a0
\nR. Ferdinand<\/td>\n		J. Sarkissian
\nJ. Sarkissian<\/td>\n		Beirut
\nBeirut<\/td>\n<\/tr>\n
1959<\/td>\nBebo
\nVosgi Akaghaghe (“The golden rooster”)
\nShghtayvadze
\nDoun-Pessa<\/p>\n<\/td>\n		Sountougian
\nRaffi
\nL. Shant
\nR. Ferdinand<\/p>\n<\/td>\n		J. Sarkissian
\nJ. Sarkissian
\nJ. Sarkissian
\nJ. Sarkissian<\/p>\n<\/td>\n		Beirut
\nTehran
\nTehran
\nTehran
\nAinjar<\/td>\n<\/tr>\n
1960<\/td>\nK.Naregatsi yev Smpad II
\nVosgi Akaghaghe (“The golden rooster”)
\nKaghakavaroutyan Vnasnere<\/td>\n		N. Beshigtashlian
\nRaffi
\nH.Baronian<\/td>\n		J. Sarkissian
\nJ. Sarkissian
\nJ. Sarkissian<\/td>\n		Beirut
\nAleppo
\nAinjar<\/td>\n<\/tr>\n
1961<\/td>\nKaos (“Chaos”)<\/td>\nShirvanzate<\/td>\nJ. Sarkissian<\/td>\nBeirut<\/td>\n<\/tr>\n
1962<\/td>\nHin Asdvadzner (“Ancient gods”)
\nBghadoni Zohe \u00a0\u00a0<\/p>\n

\nVosgi Akaghaghe (“The golden rooster”)<\/p>\n<\/td>\n

L. Shant
\nM. Paneol \u00a0\u00a0<\/p>\n

\nRaffi<\/p>\n<\/td>\n

J. Sarkissian
\nJ. Sarkissian\u00a0<\/p>\n

\nJ. Sarkissian<\/p>\n<\/td>\n

Beirut
\nBeirut
\nNicosia
\nDamascus
\nBeirut
\nNicosia<\/td>\n<\/tr>\n
1963<\/td>\nGarabi Yerke (“The swan song”)
\nOscar<\/p>\n

\nHin Asdvadzner (“Ancient gods”)<\/td>\n

J. Arisdagian
\nC. Manie\u00a0<\/p>\n

\nL. Shant<\/td>\n

J. Sarkissian
\nJ. Sarkissian \u00a0 \u00a0\u00a0<\/p>\n

\nJ. Sarkissian<\/td>\n

Beirut
\nBeirut
\nB. Hammoud
\nDamascus
\nZahle
\nTehran
\nTehran<\/td>\n<\/tr>\n
1964<\/td>\nOscar \u00a0\u00a0<\/p>\n

\nAn enemy of the people
\nHartsaknniche The Inspector<\/td>\n

C. Manie\u00a0<\/p>\n

\u00a0\u00a0
\nH. Ibsen\u00a0
\nG. B. Prestly<\/td>\n

J. Sarkissian \u00a0<\/p>\n

\nJ. Sarkissian
\nJ. Sarkissian<\/td>\n

Aleppo
\nAshrafiye\u00a0
\nTripoli
\nBeirut
\nBeirut<\/td>\n<\/tr>\n
1965<\/td>\nHartsaknniche The Inspector\u00a0<\/p>\n

Yessi Marte (“The man of ego”)<\/td>\n

G. B. Prestly\u00a0<\/p>\n

L. Shant<\/td>\n

J. Sarkissian<\/p>\n

J. Sarkissian<\/td>\n

Tripoli
\nAshrafiye\u00a0
\nB. Hammoud<\/td>\n<\/tr>\n
1966<\/td>\nKhntouki Yerego (“An evening of laughter”)<\/p>\n

\u00a0\u00a0<\/p>\n

Badvi Vayelke<\/td>\n

H.Baronian
\nA. Arpiarian
\nN. Beshigtashlian<\/p>\n

L. Pirandello<\/td>\n

J. Sarkissian \u00a0\u00a0<\/p>\n

J. Sarkissian<\/td>\n

Beirut
\nB. Hammoud
\nAshrafiye\u00a0
\n\u00de\u00c3\u00e1\u00f1\u00b3
\nBeirut<\/td>\n<\/tr>\n
1967<\/td>\nPshadzaghig<\/td>\nCredy and Barille<\/td>\nJ. Sarkissian<\/td>\nBeirut<\/td>\n<\/tr>\n
1968<\/td>\nYessi Marte (“The man of ego”) \u00a0<\/p>\n

Pshadzaghig
\nBadvi Vayelke\u00a0
\nVorn e Djshmaride?<\/td>\n

L. Shant \u00a0<\/p>\n

Credy and Barille\u00a0
\nL. Pirandello\u00a0
\nL. Pirandello<\/td>\n

J. Sarkissian<\/p>\n

J. Sarkissian\u00a0
\nJ. Sarkissian\u00a0
\nJ. Sarkissian<\/td>\n

Tehran
\nBeirut
\nAshrafiye\u00a0
\nTripoli
\nTehran\u00a0
\nTehran
\nBeirut<\/td>\n<\/tr>\n
1969<\/td>\nJean-Gabriel Brogman
\nVosgi Akaghaghe (“The golden rooster”)<\/p>\n

\nGaysr (“Caesar”)\u00a0<\/p>\n

Oscar<\/p>\n<\/td>\n

H. Ibsen\u00a0
\nRaffi<\/p>\n

\u00a0 \u00a0 \u00a0\u00a0
\nL. Shant<\/p>\n

\n\u00a0 \u00a0\u00a0
\nC. Manie\u00a0<\/p>\n<\/td>\n

J. Sarkissian
\nJ. Sarkissian<\/p>\n

\nJ. Sarkissian<\/p>\n

J. Sarkissian<\/p>\n<\/td>\n

Beirut
\nFresno
\nLos Angeles
\nS. Francisco
\nMontreal
\nToronto
\nDetroit
\nBoston
\nLos Angeles
\nMontreal
\nDetroit
\nBoston
\nNew York
\nBeirut
\nLos Angeles
\nMontreal
\nToronto
\nDetroit
\nBoston
\nNew York<\/td>\n<\/tr>\n
1970<\/td>\nVosgi Akaghaghe (“The golden rooster”)<\/p>\n

\nOscar<\/p>\n

\nIngadz Perti Ishkhanouhin (“The princess of fallen fortress”) \u00a0<\/td>\n

Raffi<\/p>\n

\nC. Manie\u00a0<\/p>\n

\nL. Shant \u00a0<\/td>\n

J. Sarkissian \u00a0\u00a0<\/p>\n

J. Sarkissian \u00a0 \u00a0\u00a0<\/p>\n

\nJ. Sarkissian<\/td>\n

Beirut
\nBuenos Aires
\nMontevideo
\nSao Paolo
\nNicosia
\nBeirut
\nBuenos Aires
\nMontevideo
\nSao Paolo
\nBuenos Aires \u00a0<\/td>\n<\/tr>\n
1971<\/td>\nIngadz Perti Ishkhanouhin (“The princess of fallen fortress”)<\/p>\n

Vosgi Akaghaghe (“The golden rooster”) \u00a0<\/td>\n

L. Shant\u00a0<\/p>\n

Raffi<\/td>\n

J. Sarkissian\u00a0<\/p>\n

J. Sarkissian<\/td>\n

Beirut
\nTehran
\nTehran
\nNor Jugha<\/td>\n<\/tr>\n
1972<\/td>\nThree boys, one girl\u00a0 \u00a0<\/td>\nR. Ferdinand<\/td>\nJ. Sarkissian<\/td>\nBeirut
\nTripoli
\nDamascus
\nAleppo
\nAinjar
\nNicosia
\nKessab<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Year Play Author Directed By Place 1942 Ingadz Perti Ishkhanouhin (“The princess of fallen fortress”) L. Shant K. Ipegian Beirut 1943 My Baby Hannigan P. Papazian Beirut 1944 Hin Asdvadzner (“Ancient gods”) L. Shant K. Ipegian Beirut 1945 Gaysr (“Caesar”) L. Shant K. Ipegian Beirut 1946 Prof. Klenow K. Bramson P. Papazian Beirut 1947 Prof.…<\/p>\n","protected":false},"author":2,"featured_media":42615,"parent":3387,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-621","page","type-page","status-publish","has-post-thumbnail","hentry","description-off"],"aioseo_notices":[],"jetpack_shortlink":"https:\/\/wp.me\/P5sdOs-a1","_links":{"self":[{"href":"https:\/\/hamazkayin.com\/en\/wp-json\/wp\/v2\/pages\/621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hamazkayin.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hamazkayin.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hamazkayin.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hamazkayin.com\/en\/wp-json\/wp\/v2\/comments?post=621"}],"version-history":[{"count":0,"href":"https:\/\/hamazkayin.com\/en\/wp-json\/wp\/v2\/pages\/621\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/hamazkayin.com\/en\/wp-json\/wp\/v2\/pages\/3387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hamazkayin.com\/en\/wp-json\/wp\/v2\/media\/42615"}],"wp:attachment":[{"href":"https:\/\/hamazkayin.com\/en\/wp-json\/wp\/v2\/media?parent=621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}